Monday, 9 January 2017

Carn Marth ...further musings

Yesterday was grey: mizzle threatened to shadow the coast so I headed inland to Carn Marth; the highest and best view point in this part of Cornwall. Carn Marth is softer than Carn Brea, her brother carn, and her slopes remain unspoilt by the encroaching industry which ruins the aspect of the North coast. Carn Marth is altogether a softer, more inviting prospect as she can be approached from lanes on all sides and there is no main road to ruin her peace and timelessness.

I decided to park  on the southern side coming in from Lanner hill and driving along toward Carharrack, topping to park on the small road where it says Bridleway on the left just opposite the road down to Trevarth. I took the right hand fork which swept around the skirts of the carn past a small quarry pool and then on toward the bottom of the main granite and quartz track that leads from Carharrack up to the top of the carn. This path came and joined the main path opposite a recently rebuilt farm cottage which has superb views stretching to Carrick Roads and Falmouth. The sky was a palette of grey and silver with hints of rose as it was mid afternoon and would be dusk in a couple of hours. There was a break in the clouds where a shaft of mellow, golden light shone through to illuminate the panorama of Cornwall which lies prone before you at this point with the clay tips of St Austell and Bodmin Moor clearly visible in the far distance to the East.



I continued uphill past the odd, shaggy pony in the field and two farmers out on a Sunday muck spreading. The scene is very rugged here and is scarred by mining and quarrying. The tramroad from Portreath to Devoran passed along the southern slope of Carn Marth and this route along with other pathways and bridleways makes it a mecca for those interested in Cornish Industrial heritage. As you climb to the summit, the view along the North coast stretches out to include Trevose Head in the far distance and St Agnes Beacon and the inlet of Portreath as you continue to scan along. I came up to Carn Marth to watch the solar Eclipse of August 1999 knowing that this was one of the highest points in the county from which to see it. I remember the looming black cloud that ominously hid the sun from view and descended upon us as we stood in awe that day near midday. If you want to see the shape and breadth of the county this is one of those view points.

I reached the top along with two young girls on their ponies out for an afternoon ride. One had a tee shirt on and seemed oblivious to the winter damp. She laughed as she reined her pony into the water of the quarry pool at the summit. There was a family on the far bank fishing and a couple of mountain bikers out for a ride. It is an amazing pool this quarry pool similar to one on Bodmin Moor near the Hurlers; it is probably swimmable and people fish here. The edges are sheer granite and stepped in places so you can crouch near the water. It has a feeling of a magical lake and one could imagine the sword of Arthur appearing from the depths,especially on a still summer afternoon when all you can hear is the hum of bees and the dizzy sound of midges over the shallows.

Now it is clearly the dead time of the year when the land is wrapped in its own pale shawl of copper and bronze leaves. The trees are bone pale and bare their thin arms to the grey skies. The scene is lit by the odd fuse of gorse blossom or the light of the sun on bracken rendering it a rusty orange against the odd patch of blue. The air is calm and the only sounds are the calls of hedgerow birds.

I spend more time looking at the view from the top and then take the main path down again toward the ruin of Wheal Amelia and Figgy Dowdy's Well off to the left which I wrote about in a previous post. I climb the granite steps down to the well now encaged behind iron bars with a solitary red ribbon tied as a wish. The ground near the well is sodden with fallen leaves and a pool of rain water which offers vivid reflections of bare branches and sky. I make my wishes here in this timeless, peaceful place with only birdsong and the sound of pigs rooting in a nearby field for company.

It's starting to get mizzly so I decide not to loiter and take the path down to Wheal Amelia.Then off left along the footpath skirting the carn to the south,past another large granite house with fine views and two green loungers in the front, moorland garden to appreciate the view. The path leads on until it forks into a lane off downhill to the left. I continue heading down and around on the path through a copse of dark pine and fir trees until I reach my car again.

This is only a short one hour stroll but I am satisfied and content that I have managed to escape easily into a sense of timelessness. The past is ever present here and the modern world fades away with the traffic on its way to Falmouth. Mine, quarry, tram road, barrows and boulders, granite gate posts, farm cottages and ponies all harmonise here in this inland space. I am struck by how easy it is to get away from the town into areas like this still and am fascinated by how paths take me out of my everyday routine into the past so readily. All I do is walk the land as and when I have space out of my busy work life. I have walked to Carn Marth so many times at different ages and stages in my life. As a child I would scramble up here from Gwennap Pit and come with jam pots to catch tadpoles or go wading in shorts and vest top in the summer. I would come here as a teenager to escape the parents and sit and write or wander or come biking with my friends with a picnic. Now I regularly come here again for ambles or walking the tramway and finding new routes including the mining villages that skirt this carn: Caharrack, St Day, Lanner, Gwennap and on to Frogpool or Chacewater. It is a rich landscape scarred and yet created by mining. It is not the picture postcard Cornwall of television but the raw, rugged interior pulse that beats and waits to be discovered.

At the moment I am reading an inspiring book by Sharon Blackie called 'If Women Rose Rooted' which traces her own pilgrimage and journey as a woman and feminist from the 'Wasteland' of modern, industrial society on a quest for connection, nourishment and belonging which leads her to the far west of Ireland and North West Isle of Lewis in Scotland. She interweaves Celtic mythology and folklore with her own personal search and talks to various wise women healers, storytellers, crafters, writers and environmentalists on her journey; all of whom have also been on that search for rootedness and a way of life which nurtures and fosters a sense of belonging to the land and community. It is through reading this book that I felt compelled to start writing and recording my walks and ideas,for it is my way of being rooted and grounded. I have walked this Celtic land my whole life and am lucky to feel a sense of belonging in the place that I was born and have worked. I see now the importance of that rootedness for it imbues one with a sense of wellbeing in a fast and destructive world and nurtures a sense of care for the land and a permanent sense of being its guardian and protector. By walking familiar places one can see the changes happening and be awakened into action; whether it be to write  a letter about litter, to be part of a wildlife protection group or simply to ensure a path remains open to walkers and not shut down by greedy landowners. Women who walk can gain strength and power. a sense of self sufficiency and ability to explore beyond. They can teach and share the land and their own sense of belonging with their children and community so that spots like Carn Marth remain sites of special interest and protected for future generations.

Blackie says in her book; ' One of the wounds dealt to us by the coming of the Wastelnad is our severance form the land, the rupturing of the relationship between people and their places. The healing of the Wasteland requires a healing of the wound. Our Return then, requires a place in which we can be grounded, rooted; a place in which we can fully embrace the natural world around us, and our part in it. A place from which we can speak.' pg 280 'If Women Rose Rooted'.

Blessed Be XXX

Monday, 2 January 2017

New Year 2017 - Resolutions at St Agnes Beacon

New Year and it dawned bright this morning after a rain spotted and grey New Year's Day. I have resolved to begin writing my regular posts after a three year break. I started today on Jan 2 2017 with a walk around St Agnes Beacon and climb up to the Beacon, as well as around the coast. The day was stunning and welcomed a walk with its clear, winter skies and brittle cold. I parked my car on the Beacon Road, surprised at how many other people in woolly, bobbled hats and walking boots seemed to have the same idea. I imagine everyone, like me, was making the most of a day of pure sunshine and the chance to walk off the Christmas excesses.

I like this time of year as it is a time of clearing and cleansing after the over indulgence of Christmas. I parked away from the throng and climbed the path that skirted away from the main one which was getting eroded by the popularity of the walk. I am aware more than ever on my walks of this issue of erosion and just the numbers of people now living in Cornwall and walking. This, along with the fierce storms of latter years, has left an enduring mark:less space to breathe and be without the interruption of voices or other feet on the same path.

The views from the Beacon were stunning today and I could see as far up the coast as Trevose Head and along to St Austell clay pits as well as over to Carrick Roads and Carn Brea. The coast was a ribbon of headlands in a veil of misty sunlight and I found a niche below a white quartz outcrop with a wooden bench and a view nestled in the lea of the beacon, out of the wind.


View to Chapel Porth
View from the Beacon toward St Agnes and beyond
Wheal Coates in the sunlight
Low tide view to St Ives
Sentry box
People on top of Beacon




For the first time in ages I remembered I had my note book on me and managed to scribble some lines:

ST AGNES BEACON


This browed old crone in bracken cape
Glass grey eyes and peaty skin
She is a grin of quartz
Blood oxide veins run deep
Her apron of gorse spills boulders down valley

To where cattle blink in the pale light
Smoke tendrils and floats skywards to
A silhouetted panorama of sisters Brea and Marth
She is warming her cold old bones in winter's rays
Spreading heathery arms wide to clutch blue sky
Her brittle claws grasp an unexpected star
Wishing on eddies of far North Atlantic frost.

From here I picked my way on a smaller, narrower snake of a path down to one that skirts the edge of the beacon leading to the right and over a stile into a green farmer's field with a sign 'Beware of the bull.' Thankfully, there was no bull in sight and the path led into a slurry pit and then a farm yard where there is a caravan site in summer months. Across the Beacon road to the left and then off on a footpath to the coast marked Chapel Porth. I did not go as far a Chapel Porth, but walked straight ahead to the coast path and off towards the right and Wheal Coates with its magnificent coastal views down to St Ives. The tide below was out and people were walking the sands etched with running water and silhouettes. The ocean was a turquoise green, the coast bathed in a shimmer of sunlight and shadow. It looks translucent and shining like a land in old stories ancient and renewed by this sudden gift of sunlight. From Wheal Coates, I clambered upward and along the top to St Agnes Head with more stunning views up the North coast to Trevose Head, then cut inland past quarries and mine dumps to where I joined the road to the coast by an old second world war sentry box of Cameron Camp - all that remains of a training camp for the 10th Light Anti Aircraft Battery built in 1939-40 and used later by American troops prior to the D Day Landings. Then back to the road and my car...refreshed and full of New Year's resolution.






Monday, 27 May 2013

Healing Room ,Sinéad O'Connor


Songs and Poetry that speak of healing.......

  

I love this song.....now here is someone coming through and finding they can allow all the feelings and really going on the journey into healing and faith and self belief...at least that's what I read into it......

Mary Oliver the poet also writes about this in her poem 'The Journey':

 
 
The Journey

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.
 
Mary Oliver
 
And here in her poem:
 
 
Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting 
over and over announcing your place
in the family of things.

from Dream Work by Mary Oliver
published by Atlantic Monthly Press
© Mary Oliver
 
And here I think Sinead sums it up.....it's inside us all...the healing room.....
 

 

 

October Project - Bury My Lovely


Healing the shadows

Been thinking a lot about the shadows we all carry deep inside...the scars, the wounds, the hurts from childhood and the words of William Blake in 'Infant Joy' where the new born soul is born as an expression of joy....'I happy am'......and I thought that these music videos seem to sum this up to some degree. How I wish we could heal these wounds and wash away the pain.......I have been wondering how possible this is for those who have had a life time of hurt...and look around me at the society we live in and feel completely overwhelmed by the suffering caused by violence and abuse.....and yet there is also so much hope and so much love and wish for healing in spite of this and the more light and love we share now the more hope there is for others....... I know that for me the way through has been through art, poetry, music, friendship and nature......also through working with these wounds in a small way .....I do believe as Ghandi says the 'we have to be the change we want to see happen in the world' and even when it is hard to still be at all it is necessary to learn, grow and become .....keeping the channels of loving kindness open Blessed Be xxx

Sarah McLachlan - Adia [Official Music Video]


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